Some Demons, Monsters & Ghosts Of Chinese Folklore!

The five- thousand-year Chinese culture, over the centuries has produced hundreds of legends about monsters, ghosts, demons and spirits. Many of these demons and ghosts influenced Japan, Korea, Thailand, Malaysia, Singapore folklore. Let’s see below some of the main demons of Chinese mythology.

Diyu, the Chinese hell

Diyu or Naraka in Sanskrit. It’s essentially based on the Indian Naraka with elements derived from Chinese life after death folklore traditions. In the two traditions it has been widened and reinterpreted countless times. The Diyu is generally depicted as an underground labyrinth divided into 18 circles where the soul of sinners receives the right punishment of retaliation. Similarly to Dante’s hell, dead souls are suffering the burdens of their sins. Once dead, the soul returns to its original state and start again the torture. This circle of torture, death, rebirth, takes place forever or until the soul makes amends for sins and finally is able to reincarnate.

Meng Po, the Lady of Forgetfulness

The Old Lady Meng carry out its tasks in Diyu, or the Chinese hell, in the 10th court. It is her task to make sure that the souls who are ready for reincarnation do not remember their previous lives or their stay in hell. The Old Lady awaits the dead souls at the entrance of the ninth round (Fengdu).

To this end, she collects herbs that grow around ponds and streams to prepare her Five Flavored Tea of Forgetfulness. The drink is made to drink the souls before leaving hell. Its ingestion leads to an immediate and permanent amnesia. Once purified, the spirits reborn and the cycle begins again. In Chinese tradition, there are legends of miracle births, where a newborn is able to speak because the soul of the baby didn’t drink the Five Flavored Tea of Forgetfulness.

Huli jing, Fox spirits

Fox spirits were generally female spirits and often depicted as young and beautiful girls.
Fox spirits can be compared to European fairies. They can be both evil and good. In Chinese mythology it was believed these beings were capable to acquire human form. If they received sufficient energy, they became immortal and magical creatures, thanks to the Moon or Sun essence. They were generally female spirits and often depicted as young and beautiful girls.


One of the most wicked fox spirit was Daji portrayed in the Chinese novel Investiture of the Gods (Fengshen Yanyi). They are also present in Korean traditions (Kumiho) and Japanese (Kitsune). Daji was the favorite consort of King Zhou of Shang – the last king of the Shang dynasty in ancient China – and a daughter of Su Hu. In the early chapters, she was killed by a thousand-year-old vixen spirit who possessed her body before becoming a concubine of King Zhou.


The mogwai are demons who seek to harm human. They reproduce sexually with the arrival of the rains, which symbolizes the abundance and fertility. The term “Mo” is derived from the Sanskrit Mara and means “evil” (the word “Māra” comes from the Proto-Indo-European root *mer meaning to die). In Hinduism and Buddhism Mara is a tempter and personifies unwholesome impulses, unskillfulness, the “death” of the spiritual life. The mara causes people to sin and self-destruction. In modern cinema these creatures inspired the Gremlins of the homonym movie. The term “Gui” simply means deceased spirits or souls of the dead (not necessarily demonic spirits). In modern Chinese folklore the term refers usually to ghosts that may take vengeance on humans. In order to repent their sins, people sacrifice fake paper banknotes so that gui can have funds to use in their afterlife (Chinese after life is regulated by a complex bureaucracy). Wikipedia claims the modern use of mogui as “evil” is a consequence of Western influences as Chinese-language biblical texts translate the Satan in the Book of Job and the Greek term ‘diabolos’ as mogui.

Yaogui, Yaoguai, Yaomo, Yaojing

Yaogui spirits are malevolent animal spirits or fallen celestial deities who acquired magical powers through the practice of Taoism. The wicked ones are called Gui or Mo (literally “demons”). Their goal is to gain immortality and the subsequent deification. In the famous “Journey to the West”, demons try to pursue their purpose through the kidnapping and the consumption of a holy man (Xuanzang). Not all Yaojing are demons: Bai Gu Jing for example, was a skeleton which later became a demon. Many Yaojing are fox spirits, or pets of deities. Yaogui kings command lesser demon minions.
In Chinese folklore they populate the Di Yu. Much of the Chinese demonic pantheon is influenced by the Indian and there are also similarities with the Japanese yōkai or mononoke.

Bai Gu Jing, the White Bones Demon

Bai Gu Jing (the white bones demon) is a yaogui of Journey to the West which appears to Sun Wukong and his company as an innocent girl who has left the parents in search of food. The Magic Sun, due to its nature, is capable to see the actual appearance of the monster and kills the girl. The episode will lead to a first break between the monkey and Xuanzang (or Xuanzang). The second appearance of the monster is in the guise of the murdered young mother. Again Wukong recognizes the deceit and kills her. This event will lead to a second rupture between Xuanzang and Sun because of the vehemence of the monkey. According to Xuanzang all beings deserve salvation.

Pipa Jing

Pipa Jing is a yaogui changed from jade pipa (the Chinese instrument) and is a literary character of the omnipresent “Investiture of the Gods”. It was one of three female ghosts (Pipa Jing, Daji and Splendour) under Nu Wa to throw into chaos the Shang Dynasty.

Shen (clam-monster)

Shen is is a shapeshifting dragon or a sea monster believed to create mirages, and it is associated with funerals. There are at least three types of sea monsters that can change shape: a que, a “sparrow” transforms into a “oyster” (Ge or muli) after 1000 years; a yān, “swallow” transforms into a hǎigé after 100 years; and a fulei or fuyi, a “bat” transforms into a kuígé after it gets old. Anyway, considering all the many variations, this type of monster is always capable to create illusions.

E Gui, the hungry ghost

It is believed that the spirit of a person who has committed sin of greed is damned with a punishment for retaliation: after death, the ghost is condemned to a perpetual state of insatiable hunger. But the mouth is too small to ingest food. Its skin is green or gray. It infests especially kitchens and streets, always looking for offers or decomposed food. They feed on everything. There are different types, some can spit flames and others are skeletal. They occur during the Festival of the Hungry Ghosts.

Jiangshi, the Chinese vampire (or zombie)

The “rigid bodies” are a cross between a zombie and a vampire. They are corpses back to life with the sole purpose of killing the living to absorb their vital essence or qi. They resurrect when the soul of the deceased can not leave the body because of induced death or for misconduct. Much like the Pocong Malaysian, the Korean Hangui and Japanese Kana. By day he remains in his coffin or hides in the dark, in the caves. During the night it walks like a zombies, with stiff arms. According to Ji Xiaolan, during Qing Dynasty, the Jiangshi can be classified into two groups: those just dead returning to life, and those who have been buried for a long time but which still have not decomposed.

You Hun Ye Gui, Wandering Souls in the Intermediate State

Bardo in Tibetan, which means “intermediate state” or “transitional state” indicates the period between two lives in the Buddhist concept of reincarnation, when a person is ‘dead but still not’ born again. For many Buddhist schools the duration of the intermediate state generally lasts seven days or more (to describe this amount of time Buddhism uses mostly the number seven, for example, seven weeks, or 49 days). But if a person dies by an unnatural death and if the dead had violent or upsetting feelings, this person is likely to become a You Hun Ye Gui, delaying the reincarnation or risking even to remain trapped in the intermediate state forever. Gui Diao You, Shui Gui and Gui Yuan are You Hun Ye Gui, ghosts trapped in a state of undeath.

Ba Jiao Gui, Female Banana Tree Ghosts

They appears wailing under the tree at night, sometimes carrying a baby. In some traditions from South Asian countries (Thailand, Singapore, Malaysia and Indonesia ; similar to Pontianak/Kuntilanak) greedy people ask them lottery numbers. To invoke them, they have to tie a red string around the Banana tree trunk, fixing it with sharp nails and then they tie the other end of the rope to their bed. The consequences are often disastrous: if people do not fulfill their promise to free the ghost once they get the lottery win, they will suffer a horrible death.

Di fu ling, Earth-bound spirit

Ghosts bounded to specific locations on Earth, such as their place of burial or a place they had a strong attachment to when they were alive.

Diao si gui, Red Tongue Ghosts or Hanged Ghosts

The spirits of the hanged, the people who committed suicide, or those sentenced to death. They are usually depicted with their long red tongues lolling from their mouth.

Gui Po, the Old Witch

A ghost who takes the appearance of a friendly old man or woman. They are the ghosts of the servants in wealthy families. They return to help their teachers with the housework or to care of the master’s children. Some seems like a witch, similar to those of fairy tales; not always they are positive character. It’s a popular demon in Japan as well.

Nü gui, the Feminine Ghost

The ghost of a vengeful and angry woman dressed in a long white dress is probably the image that most influenced Japanese and Hong Kong horror cinema in the last two decades. In the tradition, it refers to the red dressed ghost of a woman who committed suicide. Generally it is linked to injustice, such as a rape or moral unfairness. She returns to take revenge. In the tradition the red color in the ghost stories symbolizes anger and revenge. In some variations the ghost manifests itself as a beautiful girl who seduces her victims to suck their Yang essence. The male variant, Nan Gui, is rarely depicted. This type of female ghost is similar to the Succubus, demons in female form that appears in dreams in order to seduce men, usually through sexual activity. The male counterpart is the Incubus.

Ri Ben Gui Bing, the spirits of Japanese soldiers

The ghosts of the dead Japanese soldiers who had invaded China during World War populate some stories after the war. They are ghosts in uniform and carry guns or katanas, the fearsome Japanese swords, in case of officers.

Heibai Wuchang, The Impermanence Guards or Black and White Impermanence

The Black Guard Impermanence (Wu-jiu Fan) and the White Guard Impermanence (Xie Bi’an) are the guardians of hell, whose job is to conduct the souls of the spirits in the world of the dead. They are benign entities. They are respectively in charge of Good and Evil. They are venerated in some Chinese temples and are colloquially called Da Ye Bo and Er Ye Bo. They wear tall hats and long robes that cover their whole body. On the palm of the right hand they bear seals and on the left sticks with pieces of clothes attached. In some legends they appear during the Hungry Ghost Festival, rewarding the good with gold. In temples they are often depicted with monstrous and ferocious faces, with long red tongues. They chase away evil spirits. They are also called General Fan and General Xie, or the seventh and the eighth master.

During their life they were two guards. One day while they were transferring a prisoner, the prisoner escaped. The two split up and gave an appointment under a bridge. Because of heavy rain that flooded the area, Xie Bi’an could not arrive in time. Fan waited a long time without daring to move away because he wanted to keep his promise. Fan eventually drowned. When Xie came and found him dead, he hanged himself. Once dead, the Emperor of Heaven, the Jade Emperor, considering their loyalty honored them appointing them as guardians of the Underworld. There are other accounts which say that they had different backgrounds.

Niu Tou Ma Mian, the Guards of the Underworld

Ox-Head and Horse-Face. Similar to the Impermanence Guards. They originated during the Song Dynasty. In Journey to the West, they are sent to capture Sun Wukong, but he overpowers them and scares them away. They have a head of a bull and the other the head of a horse and both have the bodies of men. They have pitchforks and chains to imprison the ghosts. In Japanese folklore, Ox-Head and Horse-Face are known as “Gozu” and “Mezu”.

Shui Gui, the ghosts of the drowned

The water ghosts, or the spirits of the people who drowned. They live in the bottom of lakes or rivers, and when the victim is swimming haul him to take possession of his body. Sometimes the body of the spirit adapts to new marine conditions. The spirit of the victim replaces the old Gui Shui. The cycle is repeated constantly. It’s a common ghost also of the Japanese Ghost stories.

Wu Tou Gui, the Beheaded Ghosts

Headless ghosts who wander aimlessly. They are the spirits of those sentenced to death by beheading.

Yuan Gui, Ghost with Grievance

They are the spirits of persons who died wrongful deaths and their roots can be traced to the Zhou dynasty and were recorded in Zuo Zhuan. Their troubled souls are not able to find the peace they need for reincarnation. They continue to roam the world of the living, in a state of constant depression and restlessness. In some stories they try to communicate with the living to find some clues to understand why they were victims of an injustice. The living person try to help them to clear their honor. Finally the soul can find peace.

Ying Ling, the spirits of dead foetuses or Infant Spirit

Ghost of Japanese origin. They are the ghosts of unborn persons or fetuses and they are linked to abortion, spontaneous or not. The idea of such spirit was probably imported in Taiwan during the 50 years of Japanese rule.

Jian, the Ghosts of Ghosts

The ghosts are terrified by Jian ghosts, or ghosts who can not reincarnate. The general idea of Jian comes from Taoism, where in the past some practitioners drew talismans with supernatural powers, Fu or Shenfu, able to summon lesser gods and spirits or to exorcise demons or to create miraculous medical potion.


About Andrew

Co-founder & lead investigator of Paranormal Encounters. I've experienced the paranormal all my life, having encountered ghosts, angels and demons. I live in a haunted house and when not exploring and researching the unknown, I enjoy single malt Scotch whisky & potato chips (though not necessarily at the same time).